This next song has been bouncing around the back of my head since I was a kid, but I learned only yesterday that it’s not Roger Miller. It sure sounds like the guy who wrote and performed country-leaning novelty hits including “Dang Me” and King of the Road” … but it’s actually one-hit wonder Leroy Pullins from Berea, Ky. His full name was Carl Leroy Pullins, but I think we can all agree that “Leroy” is funnier than “Carl.”
John Valenti’s “Anything You Want” only made it to #37 on the Billboard charts in 1976, so you’re forgiven if you don’t remember it. That said, give a listen and tell me you wouldn’t believe it’s Stevie Wonder vocals over a generic disco stomp. The biggest giveaway is the guitar solo instead of a synth or clavinet.
I’ve been sitting on this one for a while because it’s the perfect example of thinking you know who’s singing that song you’ve heard a million times. “Rock Me Gently” has that flawless Neil Diamond vibe – a voice that both belts and croons, cornball lyrics, a Brill Building level of pop songcraft … but that’s not Neil Diamond. It’s Canadian singer/songwriter Andy Kim.
1974’s “Rock Me Gently” was Kim’s only #1 in the US, but he’s not a one-hit wonder either. Kim had a total of six other songs in the Top 40 between 1968 and 1974. “Baby, I Love You” got to #9 and “Be My Baby” hit #17 – both covers of hits originally by The Ronettes. Kim sings both of those in a higher register than “Rock Me Gently,” although he could have raided Neil Diamond’s closet for this TV appearance.
We’re headed back to 2001 for today’s episode of “Man, that singer really sounds like that other singer.” You’re watching the first season of “Scrubs,” the episode guest-starring Sean Hayes as a new intern that might be cooler than JD. Toward the end, you hear “Camera One,” a song with a singer who sounds a lot like Michael Stipe. “Camera One” eventually makes it to Number 22 – and Number One on the Adult Album Alternative chart. You call your local radio DJ and ask for it. That’s when you find out “Camera One” isn’t REM, but Josh Joplin Group.
To be fair, only parts of “Camera One” are REMesque. I would say it’s solidly in the male singer-songwriter pocket that was popular at the time, even if that singer was backed by a band. Remember Semisonic? Five for Fighting? Train? Josh Joplin was right there, giving radio and MTV what they wanted.