Mike Read, a veteran radio DJ and TV host in the UK, has a weekly “programme” called “The Heritage Chart Show.” Not living in the UK, I’ve only every seen clips of the show on YouTube, but basically, Read interviews bands from the ‘70s and ‘80s who are still making music today and plays their music videos. Here’s a clip with Limahl, the lead singer of Kajagoogoo (“Too Shy”) who also had a solo hit with “The NeverEnding Story.” (In case you ever wondered, “Limahl” is an anagram of Christopher Hamill’s original last name.)

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When I’m concentrating on a writing project, I like music with no lyrics or, at least, lyrics in a language I don’t speak. Amadou & Mariam are good for that. From Mali, they sing in French and Bambara. Since I don’t speak either, the music helps me find a flow, but the words don’t fight with my own thoughts.

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John Valenti’s “Anything You Want” only made it to #37 on the Billboard charts in 1976, so you’re forgiven if you don’t remember it. That said, give a listen and tell me you wouldn’t believe it’s Stevie Wonder vocals over a generic disco stomp. The biggest giveaway is the guitar solo instead of a synth or clavinet.

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As a teenager, I wasn’t sure if I should listen to Lou Reed – or his band, The Velvet Underground. I wasn’t sure whether I could handle the drone of “Venus in Furs” or fuzzy, buzzy epic “Sister Ray.” Of course, the tunes that once intimidated me now seem almost quaint or folky in spots. They’re still songs about junkies and BDSM, but everything eventually becomes the music of your mom and dad’s generation.

Despite his rep, Lou Reed also made some very poppy music in his career. This is stuff that’s not going to show up on any of his greatest hits collections – and there are 17 of them according to Wikipedia. “The Original Wrapper” is off Reed’s 1986 album “Mistrial,” which I owned on cassette and most likely bought at the long-gone Streetside Records in Columbia, MO. I’m not sure if Lou is genuinely trying to musically stretch here or if he’s just half-heartedly jumping on the rap train – probably both. Continue reading

Wow, this “part two” took almost as long as “Mary Poppins Returns.” Back here, I started writing about the music of Paul Carrack, one of those singers who’s famous for not being more famous. He’s got a beautiful voice and still tours the UK, but doesn’t get the US name recognition of folks like Hall & Oates or Bill Withers.

After scoring radio hits as a member of Ace, Squeeze, and Mike + the Mechanics, Paul barely got into the Top 40 (#37) with a song recorded under his own name, 1982’s “I Need You.” Then, on the next album in 1987, the song “Don’t Shed a Tear” just exploded. It went to #9, stayed in the Top 40 for thirteen weeks, and got big play on MTV. It was co-written by Eddie Schwartz, who also wrote Pat Benatar’s “Hit Me with Your Best Shot.” The 1987 production sound dates “Don’t Shed a Tear,” and Paul doesn’t look much like an MTV star in the video, but his voice makes the song into something special.

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