Look up there at the top of That Guy on TV and you’ll see this is my “Blog, Resume, and Hootenanny.” I had to make two decisions when coming up with that. The oxford comma was easy, but what funny word was I going to use for “party” or “celebration?”

I briefly considered “chautauqua” because it has all those funny K’s. “Shindig,” “wingding,” and “saturnalia” all made the short list even though they aren’t as komedic. But then, I found a new word to me – “beanfeast.”

According to everyone’s favorite semi-reliable source, Wikipedia, “beanfeast” means “informal term for a celebratory meal or party.” Often, it’s a party thrown by a boss and ties back to the holiday Twelfth Night. One serving of dessert had a small prize in it. The one who bit into the prize was “King” for the night. The trinket could be metal or pottery, but a big dried bean would be cheaper and easier on the teeth. If that also sounds like a New Orleans king cake, you’re right. The king cake evolved from Twelfth Night.

As a word, “beanfeast” is more popular in the UK than the USA. In “Willy Wonka and The Chocolate Factory,” Veruca Salt starts her song with the word, not long before the bad egg goes down the chute.

I briefly considered “clambake” too, but finally went with “hootenanny.” “Oo” sounds are funny too.

I should write more about the career of singer and songwriter Dan Hartman, but here’s something quick. Dan’s most famous solo song is “I Can Dream About You” from the “Streets of Fire” soundtrack, hitting #6 in 1984. This is the version you heard on the radio and the video I remember from MTV. That’s Dan’s voice, though in the movie, you’d hear singer Winston Ford. The person who looks like he’s singing isn’t Hartman or Ford. That’s actor Stoney Jackson, who you can also spot in Michael Jackson’s “Beat It” video and Disney’s 1994 “Angels in the Outfield.” The “back-up singers” are actors Robert Townsend, Mykelti Williamson, and Grand L. Bush.

There’s a second version of the video where you see Hartman’s face. The movie clip is playing on TVs in a bar and Hartman is the bartender.

So that’s the face behind the voice, but there’s also a song you hear on classic rock radio all the time, and never realized it was written and sung by Dan Hartman. That’s because the band is named for someone else. Here’s Dan and The Edgar Winter Group, around 1973 and “Free Ride.”

As a songwriter and producer, Dan Hartman worked with everyone from The Plasmatics to James Brown to Disney, co-writing a song for “Oliver & Company.” Dan Hartman died in 1994, just 43, of an AIDS-related brain tumor.

I’ll admit it. I like Bazooka bubble gum. Sure, it’s a little pink brick, but it reminds me of being a kid and it’s pretty good for blowing bubbles. The other, softer brands – you need to chew longer and get the sugar out before they’re ready to go.

I usually grab a bag of Bazooka every few months in the candy section of Big Lots or a 99-cent shop. I just spotted this “throwback” packaging at Publix, but I see it’s been on the market for about a year. Throwback is more expensive per piece, but it saved me a trip. I really like the Bazooka cherry flavor, but that’s hard to find and may now be “Cherry Berry.”

Bazooka dropped the famous Bazooka Joe comics in 2013, but brought them back in 2019. Some fortunes are new, but the comics are the “best of” the ‘70s and ‘80s. Let’s just say they don’t write them like that any more.

So what is the flavor of Bazooka bubble gum? Or really, any bubble gum? It varies, but the basic recipe is strawberry and banana with each brand maybe mixing in some cherry, fruit punch, lemon, orange or other fruit flavors.

I listen to different music depending on whether I’m brainstorming or really trying to lock in on the fine details. For dreaming up stuff, I lean toward bright and up-tempo – power pop ear candy. Of course, I can just dig out my Jellyfish (in the pic) or Rockpile or Material Issue, but I often turn to the streaming station Great Big Radio.

Great Big Radio is free, created and programmed by Howard Hoffman, currently the Creative Services/Production Director of 710 WOR radio in New York. You’ll also hear Howard’s voice on commercials and radio liners around the country.

Great Big Radio promotes its format as “The Hits. And the Songs that Should’ve Been.” As Howard puts it on the GBR blog – “ …perfectly pop, well produced, performed with passion and still couldn’t find their way back to the airwaves until we came along.” As I’ve been writing this, I’ve heard Janet Jackson, The Byrds, Rick Astley, Stevie Wonder, and early Chicago.  The Beatles play at half-past every hour. Howard also voices the sarcastic liners between the music.

When I need to concentrate on what I’m writing, lyrics are bad. I start paying attention to the song instead of my own thinking. I could switch to instrumentals, but I like the human voice. So, I listen to music in a language I don’t speak. Amadou & Miriam are a married couple from Mali who sing in French and several African languages.

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No surprise here, but oldies radio doesn’t play all the oldies. You’ll hear Electric Light Orchestra’s “Don’t Bring Me Down” a million times before “Strange Magic” ever pops up. Who’s the band in the pic up there? Exactly. The Sylvers had three Top 40 hits in 1976 and 1977, but you’re probably not going to hear them outside of a “Saturday Night Disco” specialty show. (Yep, they’re all brothers and sisters.)

Sean Ross writes the Ross on Radio column and recently broke down what he considers the songs of 1975-1979 with the biggest Lost Factor – “songs have the widest gap between hit status then and a lack of airplay today.” Go check out the full list, but here’s three personal favorites.

Donny and Marie, Bay City Rollers, and Shaun Cassidy all lost staying power for being so tied into the Teen Beat pop of the ’70s and their squeaky clean images. You grow out of sweetie Scott Baio and grow into sweaty Robert Plant. I insist this Shaun Cassidy #1 is still a fun bit of cotton candy. It’s produced by Michael Lloyd, who also was behind Belinda Carlisle’s “Mad About You” and “(I’ve Had) The Time of My Life” from “Dirty Dancing.”

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