Last night, I was re-watching the first of Disney’s Dexter Riley trilogy, 1969’s “The Computer Wore Tennis Shoes.” If you haven’t seen it – or even if you have – Kurt Russell plays Dexter, a college kid who accidentally gets a punch-card mainframe shocked into his brain and uses all that new mental ability to … win a college game show. Dexter had accidents two more times in later movies – becoming invisible in 1972’s “Now You See Him, Now You Don’t” and eating super-vitamin cereal in 1975’s “The Strongest Man in the World.”
In the middle of “The Computer Wore Tennis Shoes,” I spotted a familiar face and heard a familiar voice. Olan Soule was playing a reporter, but you might know him as John Masters, choir director on “The Andy Griffith Show” – or as the timid professor or bank teller or clerk in a million shows. Here he is, using that face to sell the sexiest of products, prune juice.
Most folks recognize Fran Drescher’s exaggerated Queens accent from “The Nanny.” I think it’s safe to say she heightens it for comedy, especially the nasal quality, but at the core, it’s how she talks. Here’s an interview from 2018.
Of course, Drescher’s an actress, so she’s learned to ramp it up – or tamp it down – as needed. In her film debut, 1977’s “Saturday Night Fever” it’s not quite so exaggerated when John Travolta abandons her on the dance floor.
It’s one of the sloppiest rhymes in pop music and The Beach Boys’ last #1 hit. You might remember “Kokomo” from the Tom Cruise flair bartending movie, “Cocktail,” but did you know the music video was shot in Orlando at Walt Disney World?
It’s 1988 and Disney’s Grand Floridian Resort was built, but not yet open. The white sand beach would be a perfect place to fake a Beach Boys concert and with no one staying there, production could make all the noise they wanted. A friend who was on-set tells me it was rainy all day, so the sunny concert scene turned into a nighttime bonfire party.
Some of the guys and gals dancing along with Mike Love and the Boys were recruited at Downtown Disney (now Disney Springs) and yes, big Disney fan John Stamos is playing various percussion in the back.
Non-Orlando trivia – Credited writers on “Kokomo” include Mike Love, Scott McKenzie (“San Francisco – Be Sure to Wear Flowers in Your Hair”), John Phillips (The Mamas & The Papas), and Terry Melcher (the song’s producer who also did The Byrds’ first two albums).
Wrapping up (get it?) my series of posts about Christmas music with Rock and Roll Hall of Fame member and Grammy-winner Darlene Love. Love is one of producer Phil Spector’s discoveries and featured on 1963’s “A Christmas Gift for You from Phil Spector” album. That record still sounds great, but we now know that Spector is a monster and a literal murderer. I’d rather think of happier things on Christmas, so let’s focus on Love. From her official YouTube channel, here’s an animated video for “Christmas (Baby Please Come Home).”
In 1986, Love first appeared on “Late Night with David Letterman” to sing her signature holiday tune. Between Letterman’s NBC show and “Late Show with David Letterman” on CBS, Darlene Love performed “Christmas (Baby Please Come Home)” 28 times. (The scaled-down tradition continues on “The View.”) Here’s a Leterman supercut through the years.
“Christmas (Baby Please Come Home)” has since been covered by both Mariah Carey and Cher, who is rumored to be a back-up singer on the original. Another rumor is that Love helped out U2 with their version by singing back-up herself.
A bootleg Christmas song for you today, one that, as far as I can tell, has never been officially released. Paul Simon sings “Silver Bells” while Steve Martin does a mock-solemn monologue about the meaning of Christmas. Billy Joel plays piano and sings harmony. It’s funny. You should listen…
There are lots of rumors about the recording, but it’s the internet, so solid facts are tough to nail down. It’s sometimes called an SNL outtake, but the three were never on the same episode. Billy Joel quotes about the recording come from an interview in a 2001 American Airlines magazine, but the original article isn’t online any more.
“One night around Christmas 20 years ago, I was doing a recording session at A&R Studios in Hell’s Kitchen. We had just finished the session, and my producer and I decided to get some food. It was fairly late at night, and we ran into Paul Simon and Steve Martin at the restaurant. We had a little bit of wine, and then we had a little more wine. Nobody was feeling any pain.”
“We got a brainstorm that we would go back to the studio and record a Christmas record. It must’ve been about midnight at this point. So we go back to the studio, and Paul Simon and I are singing in the background that Christmas carol ‘Silver Bells.’ We’re harmonizing, and Steve Martin starts into this soliloquy ‘What Christmas Means to Me,’ with these hysterical descriptions of the secretary sitting on the copying machine, all these very risqué scenarios. And Paul and I are just trying to keep it together.”
“We did this maybe in one take and we had a Christmas single. Now, it was never given to a record company, but there’s a copy of it floating around somewhere. Stuff like that happens in New York. It’s a small town.”
One story goes that (now retired) Los Angeles radio DJs Mark and Brian were the first to play a bootleg copy of “Silver Bells” on the air. Now, you can find multiple copies on YouTube and since an official release seems unlikely, that’s the best place to find it.
John Graham is That Guy on TV – an Emmy-winning producer/writer/host and owner of Mosquito County Productions, based in Orlando, FL.
Over the years, John has produced YouTube videos with millions of views, worked with Muppets and Princesses, won two regional Emmys for travel reporting, interviewed celebs from Ariana Grande to Hillbilly Jim, and done thousands of live news broadcasts. (You know it’s me writing this, right?)